Here is the last of the house drawings I've been working on for the same customer (the first they got through a charity auction bid, and after that they asked me for three more.) I had to get the last three done by Thanksgiving, and I made it just under the wire. This was finished last Friday night, and I delivered them yesterday.
They wanted the marina side of the house drawn, which presented a bit of a challenge: How do I make it a house drawing, but still do justice to the great view of all the boats? Well, I had already done the front side of the house in an earlier drawing (the back of the house is towards the marina.) I felt that freed me up a little to make the boats more dominant, but I still wanted the house clearly visible and to stand out a bit, even if it was in more of a backing role.
I find that each drawing presents its own set of challenges and tough decisions. There were plenty in this one, but the two that seemed to stand out the most to me were how to handle the water (consistent, flat pen strokes to emphasize the plane, or more varied strokes to give more of a sense of "shimmer" and shifting light? And, how do I shade the large white areas of the boats?
This drawing is 11 x 15 inches, drawn with .05 and .1 Sakura Pigma Microns, a .1 Staedtler Pigmentliner, and a .03 Copic Multiliner.
This might also be the first pen and ink drawing in which I used a straight edge for a notable portion of the inking. I used one to get straight lines on the rigging.
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