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| In Louisville's Highlands |
Thursday, June 16, 2016
Thursday, May 5, 2016
Small painting of a cicada
This is an acrylic painting I did of a cicada about 15 years ago. I found it recently in a stack of stuff. It's about 6 x 10 inches, on museum mat board.
Tuesday, May 3, 2016
Louisville Skyline in Pen and Ink
This is a drawing I completed a while back (last summer, I think), but I set it aside to consider later, and then forgot about it. I found it again recently, and decided I really liked it. The size is 10 x 14 inches.
I was interested in drawing the Louisville skyline, but it's a bit of a cliched subject around here. So, I considered avenues to make it a somewhat fresher take on the scene. I decided to make it an evening scene, with a large expanse of sky above it, and the moon. I am pleased with the result.
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| Louisville Skyline, pen and ink, 10 x 14 inches |
details:
Saturday, March 12, 2016
Monday, February 29, 2016
Samoa cookie drawing
My 10-year-old daughter drew this cookie with a pencil and markers. When I first looked at it, I thought she had cut it out of a photo. I am impressed! The white highlights on the chocolate stripes really accent the dimensionality, but she said that part was an accident. I told her that fortunate accidents are a key component to many great works of art.
Friday, February 19, 2016
Two pen and ink house portraits
Here are a couple of house portraits I finished over the past few weeks. Both are in the 8 x 10 range. The second one below is actually a little longer than that; the house was so broad across the front that I had to increase the size a little for it to look right. Both were done with a combination of sumi ink/dip pens, and disposable drafting pens.
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| pen and ink house portrait - St. Matthews |
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| Pen and ink house portrait - Crescent Hill |
Thursday, December 17, 2015
7 x 10 inch pen & ink house portrait: closing out for Christmas
A couple of nights ago I finished this house portrait, which was the last one I needed to get done with a due date of Christmas. Whew! Now I can take a breath...but I also need to start on a few more that I owe for people who have gift certificates. There are two of those, and the people who hold the gift certificates have been very patient. After those two, I have another commission, plus two more probables that I discussed with someone today. That should keep me busy into spring, but I hope to get a chance to work on some drawings and paintings on my own.
This drawing is 7 x 10 on Bristol board. I didn't use any thinned down sumi ink on this one. In the reference photo, the big tree was right in front of the door. I had to judge from other, older reference photos was the door would look like from this angle, and moved the tree forward and to the right just a little.
It's been another busy year. I am immensely happy that so many people have liked and admired my work enough to commission artwork from me. There are so many other artists--some known to me personally--whom I admire as being more diligent, disciplined, and skilled than I am, so it's hard for me to feel too proud of my work. ...But I am thrilled by all the compliments I get, and very happy that people enjoy the images I produce.
I hope readers of this blog have a Merry Christmas, Happy Holidays, and a great New Year.
Tuesday, December 15, 2015
Tuesday, December 1, 2015
Monday, November 30, 2015
11 x 15 inch pen and ink house portrait
Saturday, November 14, 2015
Saturday, November 7, 2015
Wednesday, October 28, 2015
Wednesday, October 21, 2015
The Shining Pumpkin
| Here is a photo from before it was quite finished. I still had to cut around the bottom of the door and the lettering on the sides ("all work and no play makes Jack a dull boy") |
Thursday, October 15, 2015
The Martian Pumpkin, Flying Monkey Pumpkin
Wednesday, October 7, 2015
Tuesday, September 1, 2015
Pen & ink, 7 x 10 inches
This is 7 x 10 inches.
I did most of it with sumi ink, using a metal nib dip pen for details,
and a homemade bamboo pen to draw in the tree foliage. I used a brush and ink wash to fill in the
lower windows, then went back over them with the dip pen. I think the dip pen was a Hunt 101 but I can’t
ever remember which ones I use.
Well, after that, I wasn’t quite satisfied with the value
and definition in some areas, so I used disposable technical pens on some
areas, especially the black doors and trim at the bottom, and the windows
above. I also added more darkness and
detail to the tree foliage, and darkened the sky above the building.
I really like how dip pens look, but working back over areas
can be difficult; the already-inked areas tend to pull extra ink from the nib
when I go back into it, even after it has had time to dry. That was my main reason for switching.
I’m pretty pleased with it overall.
detail:
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